Frances E. Dolan
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Looking back at images of violence in the popular culture of early modern England, we find that the specter of the murderer loomed most vividly not in the stranger, but in the familiar; and not in the master, husband, or father, but in the servant, wife, or mother. A gripping exploration of seventeenth-century accounts of domestic murder in fact and fiction, this book is the first to ask why. Frances E. Dolan examines stories ranging from the profoundly...
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The winter's tale is a play in five acts by William Shakespeare, originally produced in 1610-11 with a plot based on the play Pandosto (1588) by Robert Greene. One of Shakespeare's final plays, it is a romantic comedy with elements of tragedy. Leontes, the jealous king of Sicilia, mistakenly believes that his faithful wife Hermione is having an affair with his old friend Polixenes, the king of Bohemia. Various mayhem ensues, after which the three...
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Timon of Athens is a bitterly intriguing study of a fabulously rich man who wastes his wealth on his friends, and, when he is finally impoverished, learns to despise humanity with a hatred that drives him to his grave. The play's plot structure is schematically clear, and the poetry of Timon's rage is arresting in its savage intensity. Yet readers have often detected loose ends, and the tone of writing is uneven. In his introduction, John Jowett explains...
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Comedy of Errors is Shakespeare's shortest play yet one of his most popular comedies. Here is a new modern-spelling edition, based on the 1623 Folio text with on-page commentary and notes that explain meaning, staging, language and allusions. A detailed and informative introduction describes the play's first performance at Gray's Inn in December 1594, its multiple sources and its uneven critical and theatrical history. Appendices include the complete...
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"As You Like It, Shakespeare's most lighthearted comedy and one of the best-loved and most performed of all his plays, was probably written in 1599 or 1600, though it was not printed until the First Folio of 1623. As its witty heroine is Shakespeare's longest female role, the play's performance history is marked by notable Rosalinds, from Hannah Pritchard and Margaret Woffington (giving rival performances in 1741), to Helen Faucit, Ada Rehan, Peggy...
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"Timon of Athens has struck many readers as rough and unpolished, perhaps even unfinished, though to others it has appeared as Shakespeare's most profound tragic allegory. Described by Coleridge as 'the stillborn twin of King Lear', the play has nevertheless proved brilliantly effective in performance over the past thirty or forty years." "This edition accepts and contributes to the growing scholarly consensus that the play is not Shakespeare's solo...